Tape saturation hardware reddit. almost nothing is happening to the signal.
Tape saturation hardware reddit. ADMIN MOD EHX Canyon for tape saturation .
Tape saturation hardware reddit It’s a compressor that can be shifted between vari-mu, regular, and “anti-vari-mu,” which lets you implement some very strange compression functions a la Manley or Fairchild. I know that tape saturation can soften peaks/tame transients, but does every form of saturation do this? i. Silver Bullet mk2 with a Stam SA4000-5 mk2 and Bereich Density on the inserts. Though I'm spoiled with various tube, transformer, and op-amp based hardware pieces, Culture Vulture included, as well as a select few guitar pedals that I generally prefer for saturation duties. Honestly, I’m probably already well served by my Softube and IK tape plugins so I’m not actually looking too hard for more tape sims. I swear by Real Tape up and down, every day. Saturation on drums is the secret sauce. Others want crazy fault fx, like lo-fi and tape damage, which was never the aim of tape back in the day, but is considered cool now. I'm working on getting my tape machine functional so I can track my drums to tape, then bounce them into Protools. Chow Tape is great but its lowest setting is already cranked way past normal tape usage. Tapeface, for R2R vibe, saturation, and “glue” sounded the most authentic and overall pleasing to me IMO. It is literally as good, and just as "analog" sounding as having a full 2xreel to reel setup for double tracking, and adding tape saturation/warmth that we associate with the greatest mastered analog albums. Hey hey! I have a few cassette decks in my collection, and I'm looking to modify one to use as a sort of external tape saturation unit. Unlike digital recordings where the signal clips, tapes get a nice fat distortion that can be a nice effect on recordings (and one of the main reasons why I use it for post processing). Also Chow Tape (more for lofi). Mar 16, 2007 · I'm looking for an outboard unit that gives me massive (when needed) hi-end tape-like saturation. One stop shop for sales on audio production software, hardware or services for recording and… Tape saturation works especially well in a lot of cases (in my opinion), adding some analogue richness and warmth in addition to achieving a headroom increase. True saturation refers to what happens when analog tape is recorded at a level high enough to cause the iron oxide coating on the tape to become saturated---it becomes as magnetic as it can be and begins to distort the signal in a specific way. Compression deals more strictly with attack, decay, threshold, while saturation goes for more of an impressionistic result. Hey everyone, I'm here this week to talk about one of my favorite tools for recording, sound design and composing: tape saturation. Gotta get that juicy tape saturation happening! (Side note: when I used to make mix tapes for the car, I would always redline the input signal, just to get a bit of that tape saturation. Plugin saturation/clipping vs Hardware questions There are so many types like tape, tube The tape saturation side plays so well with tube amps to give that perfect amount of dig in dirt while also providing a nice compression overall. And then the Desk series, which lets you simulate light saturation and overloading an analog power That meant that the electronics and the tape itself were saturated and distorted as a tradoff to a bunch of hiss. Do you find it ironic the fetishisation of analogue technology has come to emulating the effects of the old hardware but in a digital environment, voiding the 'warm/organic' analogue vs 'sterile' digital argument? FF Saturn 2 is by far my favourite tape saturation plugin, it’s worth it for that algorithm alone let alone all of the others. Literally drop Ableton’s saturator device on the “analog clip” setting, boost about 5db and cut -5db from the output, bam. it's more like compressors act on the amplitude of a signal, while saturation affects the frequency content of a signal. However, you can completely kill the tape noise floor and the ability to link input with output makes it a lot faster to use purely as a tape-flavored saturation tool (3 flavors). The tape saturation+model (EQ Presets) on the Gen Loss MKII is the most underrated part of the pedal. So today there are a lot more different options to go after on the 2bus. If you find your post breaking any of the rules, you should delete your post before the mods get to it. The term "saturation" refers to magnetic saturation, meaning particles on the tape cannot take on any more magnetism. Whether or not tape saturation is a pleasing effect is entirely subjective. If the tape got too saturated, generally we goofed, and had to re-record. an upwards compressor is called an expander, which amplifies the part of the signal that goes above a certain threshold whereas a compressor attenuates the part of the signal above the threshold. I actually agree with you. Superhelten007. Really good for 70s tape tones, however it can mess up your mono compatibility sometimes with its stereo effects. Are there any good analogue devices that provide nice gluey saturation that I can run my mixes through? Even just the stereo track? I’ve seen the analogue heat - but don’t know if it’s more of a pure distortion unit? I have seen the Neve 542 tape emulator and am interested in something like that… but more affordable. Thats how I tend to think of it. ) can give roughly the same benefit as pushing a desk or tape machine, or some different benefit, depending on how that thing works. 5. So far I've been really liking tube saturation for what it does to the dynamics and how it fattens up the audio (my underdeveloped ears still haven't found a use for tape saturation). The modulation side is so nice and easy to just use one knob to go through an array of sounds. It very well may not The Tape Saturation side is less "set-and-forget". Here’s a video of a $200 tape machine I picked up last year and it sounds better than any tape plugin I’ve tried. TAIP has some really nice controlled tape saturation. Use the saturation part. almost nothing is happening to the signal. seem to be doing next to nothing to the signal except the most subtle saturation possible. Saturation is a very general term which describes any physical process that has some kind of diminishing return. I thank and appreciate all in advance: Does anybody put tape saturation/emulator on masterbus with maximus or another limiter (for brickwall) or do you usually use a tape emulator that has mastering functionality by it's self? For me the most realistic tape saturation is the free plugin "Tape". This results in distortion, distortion that affects high frequencies more than Tape Saturation, Console Emulation, Amp/Cab Simulations, Analog EQ/Compresion/Delay Sims, etc It seems to be all the rage right now. I don't know how any tape plugin can be "the best", as people use them for different purposes. Catalinbread's Dreamcoat is another variation of a real-to-real preamp with a saturation control. 1/4" reel to reels can sound much better, because even baseline models use a higher tape speed, and spreading a given signal over more tape tends to give you better results. They've become magnetically saturated. I'm considering Saturn, but for now I do something similar with tape saturation from Trash 2 and my master. You could use anything from simple hard clipper to complex diode ladder clipper to simulate the saturation in the tape. I have all of those except the Chow one, plus some others like Waves and the Kiive. Some times I also use Ozone 9 tape emulation but it adds just a little saturation (comparing to KMT and Magentite). Extremely versatile in terms of how many different tapey kinds of sounds you can get out of it. Pushing signal into something that has a nice-sounding nonlinear response (NLS, a compressor, some modeled gain stage, clippers, saturation things, decapitator, saturn, a tape machine, etc. It makes huge difference on default preset but I always refine all parameters to get more mild effects. Young people aren't going to care and may even find it a negative effect. Plugins that knock “knock” plug-in is good not just for drums. It has a very accurate tape-y character (remember to make sure to set it in line level mode for max headroom, or it breaks up too hard too fast) but can change the frequency balance of a sound really drastically. Black rooster, IK tapes, uHe Satin, the waves ones (besides the beautiful tape hiss from them), softube tape, etc. Aug 18, 2021 · Tape Saturation FAQs & Primer. Tape maybe not what it seems to you, I thought the same thing when I started - tape equals warmth but its not as simple as that. View community ranking In the Top 1% of largest communities on Reddit. DIYRE (i think) has plugin saturation/color modules you can add to many diy builds. When recording to tape, channels could be recorded ”too hot” resulting in saturation. What was missing was tape saturation, which we hadn't realized had been doing a lot of the mixing work for us. Back when people used Tape machines every single song had saturation in the mix as well as on the master, and many people used to purposefully drive their tape in the red to get even more saturation not to mention that pretty much all hardware used to saturate as well, be it transformers, tubes whatever, clean mastering hardware wasnt always if it's tape saturation simulator, maybe it's a good idea to learn about tape/machines? input simulates machine chain, to simplify: preamps-->head color simulates different types of tape. If you're willing to learn the Toneprint editor, the the TC Electronic Alter Ego (and the Flashback as well, I think) can be used as a tape saturation machine, stereo double-tracker, and modulation unit. I don't like how a lot of people use saturation/distortion these days. 380K subscribers in the synthesizers community. Drums. In digital audio, saturation plugins are often trying to emulate something similar to tape saturation, but more You're correct about consumer cassette tape -- it's almost designed not to sound too good. And they all came from different hardware being pushed to its limit, and hardware circuits have a time in history. A community dedicated to the discussion of the Maschine hardware and software products made by Native Instruments. Of course, no hardware is going to saturate exactly like tape but I found a circuit which purportedly comes close. Tape saturation is a kind of distortion created by tape compression. Saturation and distortion can offer a way to add this non-linear behaviour into a digital environment. this is different from saturation. e. Modern (80s, 90s) tape formulas greatly improved on this by allowing much hotter signal to be printed to tape. First winding acts as an integrator and the second as a differentiator, but the saturation happens between them Tape gets really complicated because youve got ac bias and pre-emphasis and I'm not 100% sure how to model tape on one side and tape head on the other but also modelling the record head and playback head separately Since most of my production takes place on hardware, I track everything through outboard mic preamps. Some want to get the compression, EQ and saturation of a professional tape machine in a studio, back in the day. Us older folks or younger fans of the oldies may prefer it. Tape Saturation, Vinyl Emulation, Abbey Road Collection etc. The next track sounded more like it was conceived in software but who knows. ADMIN MOD EHX Canyon for tape saturation . So for end of my plugin chain flavor, the Studer, and for building more saturation into sound design, probably the Distressor (although I really like Softube's Overstayer M-A-S for that!) It's become an (almost) always on pedal (sometimes just one side or the other, oftentimes both). they are all free! (have no gui at all - only sliders - so dont be surprised, but this is also the reason they go under the radar for many people) density, mojo etc are all great for waming up lower frequencies. Waves J37 Tape Saturation is currently available to buy for just $30 whereas RRP is $200. he has it all wrapped up now in one plugin called 'distortion'. I use outrageous tape saturation on a parallel drum bus. I'll compare the sound of my high-fidelity Tascam 32 reel to reel to a cool hardware tape saturation simulator called the 15IPS by DIY Recording Equipment. I’ve spent a lot of time chasing the “tape” sound and I’ve found a lot of plugins more usable than running audio through hardware. In the analog domain it refers to the distortion that occurs when a signal reaches the limit of a system's ability to represent it - most famous is tape saturation, which occurs when an excessively loud signal is recorded to tape. But about two month ago I got an Elektron Analog Heat, and damn I must say after getting to know it a bit, that thing really gets some nice clarity out of the sounds without any harshness (if u don't overdo it of course). Solid state if I want something clear with some "air". Live hardware tape saturation I'm trying to come up with a way to run live performances of individual synths or even whole mixes through a tape saturation set-up. Using with stereo synth rig. So before the mix engineer even touches the tracks, this recorded performance may have already gone through 3-4 stages of saturation. Many compressors have some degree of saturation emulation to provide more of a character. Also dirty tape and mello fi are more like lo-fi effects than proper tape emulations. Some other good ones to check out are Saturation Knob by Softube (free), if you use Ableton then the stock Saturator is really good, Izotope Trash 2, Soundtoys Decapitator and Waves J37 Tape (which I actually usually just put on my drum bus). Although some clean digital clip distortion isn't a bad choice either. Getting all the licensed software reinstalled and functional afterward (especially dealing with Microsoft and their old licensing scheme) was all the push I needed to move Tape can can add a nice warmth to sound and if you push the gain so the signal 'redlines', there's nothing quite like real tape saturation. A subreddit for Honda Element enthusiasts! The Honda Element was a compact crossover SUV based on a modified CR-V platform, manufactured in East Liberty, Ohio and offered in front-wheel and all-wheel drive formats in the United States and Canada from model years 2003 through 2011. (And I’ve bought way too many saturation plugins in general this year lol) However, at this price, it definitely would’ve been an impulse buy if I heard a single musical sounding demo! Then it may be sent through say, an 1176 compressor, which also would be adding some saturation to the signal before finally recording to tape which also would impart some saturation into the signal. This machine had a frequency response of 20-24 kHz With a signal to noise ratio of 72 dB when running at 30 inches a second. For anyone else reading this, note that these are hardware that you literally plug in, not software plugins. Posted by u/tujuggernaut - 13 votes and 26 comments The PC was old enough that it didn't make sense to repair it with exact replacement hardware since a significant upgrade wasn't going to cost much more in the grand scheme. Tons of distortion verstality with preamp / drive / wave adjustments. I’ve tried most of the other high end tape machine plugins and I usually record my rhythm section to cassette or 1/4 tape so I have (tascam 688 and Sony R2R) decent reference. I use a Strymon Deco on absolutely everything, it does a great tape saturation as well as tape flange, tape chorus, double tracking and tape echo in one box. Some tape brings extra harmonics that make things brighter, other types add more perceived low end or give a slight bump in low kids. But as far as plugins and tape saturation/fx go, RC-20 is totally worth the price of admission. 109 votes, 22 comments. I use them for lofi effects or to warm up a master. (And yes, it's DIYRE) Not only are the tape saturation options great, but there are other saturation options that are also top notch and it has a bunch of extra functionality like modulation and compression/multi-band compression. I also like the Way Huge Red Llama for a touch of saturation. These did a great job but an unanticipated consequence was that engineer could push the tape even harder because the noise reduction actually did compress the signals before they hit the actual tape saturation, making it sound even more gentle. I have the Alter Ego x4, and two of my presets are a doubler with adjustable tape grit and a tape-like muffled vibrato. Also some time I use Magnetite by Black Rooster - it's pretty similar to KMT. It basically becomes a single blend knob you can turn to seat your kit anywhere between the 70s and the day it was actually recorded. Please, help me clarify some questions and concepts down below on using saturation and Tape emulators in a mix/master. These are more for rounding off and warming up a sound rather than annihilating it in Decapitator though. For saturation/distortion effects that have dynamic response (and distort more when louder input, etc) you can put it on a send, put one or two compressors/limiters to kill the dynamic range, and then put the saturation/distortion after, so it will always be the same amount of harmonic content added, and then blend that in with the return fader Get the Reddit app Scan this QR code to download the app now both hardware and software. 51 votes, 52 comments. DECO is the 8000# gorilla of tape compression in a pedal format. Tubes are nice for a little warmth to full on crunch. But 7. 59K subscribers in the AudioProductionDeals community. each tape type has its own sound characteristics ( color ), each type also reacts differently on overdriven input. 5 still can handle 20kHz fine. I'm very new to using saturation. For quite a while I have used Decapitator or the izotope neutron Saturation plug-ins they worked quite well. . This may be a silly question, but I have always found it very interesting that one can get tape saturation for such a cheap price with tape cassettes and a cassette recorder, but I was never interested in lo-fi sounds, I love the tape saturation from 70's and 80's rock music, hi fi strongly saturated and filled with life and personality because of the Reel to Reel tape saturation. Best saturation plug-in I’ve ever had was the “Massey Tapehead” If you find a copy that works let me know. I highly recommend that one and J37/Kramer Tape from Waves are also really good. Just something oddly satisfying with hearing electronic instruments and synths go into a tape echo and get saturation wobbly repeats back out. if you want tape saturation coloration then a good tape emulation plugin should work just fine because they mimic the whole process from pitch inconsistencies, hiss, noise, or other lo-fi properties of tape recordings while waveshaping is just plain distortion and can't be used to mimic a real tape machine. With tape for example, the material on the tape gets magnetized based on the input signal. Constant degaussing, alignment, calibration, and lubrication are your new best friends. Lots of control and ways to manipulate your source sound. using a tube saturator like the black box HG2 or any other exciter/saturator/etc. I like saturation and want to avoid deleting my transients by overdoing it, but unsure if it's only certain types I need to be aware of. That paired with the glue knob and it all being auto gained makes it super easy to add some oomph to a sound. Awesome! Been using Trash 2 for ages. Not to mention preamp emulations/real pres you can drive or forms of saturation you get out of plugins or equipment that aren’t designed as dedicated The average user on here tends to skew pretty newb but I personally enjoy imparting some of the old school knowledge to these newbs. Get waves-factory Spectre and learn it. EHX Canyon for tape saturation Was just messing around with my new Roland S-1 synth through some of my guitar pedals, and started tweaking my Canyon delay. However, there is a limit to how much you can magnetise that tape and as you a approach that limit it gets harder and harder to magnetise. But also bear in mind all the talk and hype about tape saturation is coming from the classic studio mindset of recording vocals, instruments, drums etc. Feeding a hot signal into the unit obviously is distorting the amp in the deck, but not the tape itself. And when you listen to the music being released in 2020, it sounds like people are really making use of these things. Most tape plugins sound like. Yes, which is why 30ips has bad low end. "Static" is noise, maybe vinyl record imperfections (simulated) or just room noise. As a tape emulation saturation kinda thing I think you can find better . Sep 27, 2013 · With some of the chatter going on about getting "vintage" sound, I did a casual search on tape saturation simulation circuits. The effect is great but Magneto sounds anything but hi-end to me Jan 8, 2021 · Any suggestions for a real tape hardware unit to use to get an overdriven tape saturation sound on various sources? I mainly want to use it on vocals and guitars. 0dB VU = -18dB inside your daw. Many of their compressors have this. A: old ampex tape machine preamp (so not the tape itself E: EMI console preamp N: 1057 neve (germanium transistor) preamp T: culture vulture triode P: culture vulture pentode Reply reply Audiocrusher Tape saturation tries to imitate how analog tape responds to loud levels, for example. The page serves as a platform for users to share their experiences, tips, and tricks related to using Maschine, as well as to ask questions and get support from other members of the community. Hope this helps! Happy to answer any other questions. Reply reply Engineers didn't stop doing this when noise reduction systems like Dolby A and DBX came into common use. true. The most real overall tape plugin for me is also a freebie; CHOW tape. JPTR FX Jive is also an option, it focuses more on the AKAI preamp side. I’ve seen loads of people using it. Tape: SN03 by Sender Spike, (Cubase' stock tape plugins are all great, if you have Cubase) Various: Saturation Knob by Softube, Vinyl by Izotope, Roth-Air by Rothmann, Molot by TDR (Compressor, but with a strong impact on character), SN06 by Sender Spike I think tape is more about the very special kind of tone it creates not so much the saturation. hj Share This is your friendly reminder to read the submission rules, they're found in the sidebar. Remember to focus on the desires of your listeners versus your own before you start applying saturation. And then a separate master tape emulation. The place to obsess about synthesizers, both hardware and software. I will check out ChowTape, thanks for the recommendation! Kush plugins are great (great YouTube channel too). The flux lines are mostly straight through the tape (with variations in the field lines encoding the data of course). Vitamin, thermionic culture, Saturn, black box, the list goes on and they offer different flavours. The frequency response of tape is inherently tied to speed. Ahhh, the old days!) try airwindows tape and distortion plugins. It can also be great in studio one as a mixfx plugin across the drum bus or whatever. Another Video using free vintage tape that I got with the machine And now I’ve gotten so into it that I upgraded to a 2 Track 15ips Tascam 32 Master Recorder. Plus my drums with have some amount of saturation. 417K subscribers in the ableton community. +9 tape at 30ips can be indistinguishable from digital to the casual listener. Is it any better than any of Logic’s stock saturation tools such as compressor, vintage EQ, tape delay and phat FX saturation? I love the Studer tape saturation, and Empirical Labs Distressor is great too, and all the Teletronix compressors have some nice color when pushed as well. Tube distortion, tape saturation, that has a 60's era association because that was the gear at the time. 4pockets Time Machine - vinyl or tape saturation/degradation FlyTape2 - for performance fx KoalaFX - also for performance fx Loopy Pro is very customizable, worth keeping in mind as you start to get comfortable with a collection of plugins. Oh, and then Tape and ToTape, some fantastic tape emulations. I like that it has 6 different types of saturation. Oct 4, 2018 · For mastering or stereo bus work, I didn't feel enough control over the transformer saturation and bottom boost, and the HF limiter (warmth) also not adjustable enough. If you’re looking for more drastic tape effects with things like ducking or tape delays you would want to consider something other than softube tape or relight. Edit: If you want just generation loss you could too just buy old VHS cassette player and rerecord until the music gets enough lossy. It doesn’t have as much ‘tape machine colour’ as some of the more specific tape machine emulation plugins do, but the way it saturates when pushed hard sounds more realistic to me than any of those. Dealing with tape recorder hardware is a pain in the ass. Looking to add some tube saturation to top it off. To define the difference, and really answer your question,, Tape saturation happens when there is too much signal put into the oxide of the tape - it gets magnetically saturated - something I was trained, by my mentors back in the tape days, to avoid at all costs. tube, transistor, silicon, germanium, pentode, triode. In particular, I'm using the Tube Saturator Vintage by Wave Arts. I use it on almost everything and it really does sound fantastic. Members Online According to research 90% of guitar beginners quit within a year, but the 10% goes on to spend around 10k on gear - Has anyone done similar research but for synthesizers? Hi, i'm in a metal band and a blues band, and in both bands that im in, they're all talking about how they wish they could get that "Old school tape sound", Now i cant afford the real deal, but i've seen some tape saturation effects online, but most seem to be pretty expensive, thanks for helping me out :) It is designed to work on a dual supply but a simple two-resistor splitter as is used in many pedals will work fine. If you're looking for more tape saturation that's free Tonebooster's legacy plugins Reelbus v3 and Ferox v3 are great. Don’t waste money on UAD. Tape still get used a fair bit, it sounds good and pretty low CPU usage. There are a ton of different saturation plugins/hardware units from a wide variety of vendors. And tape beeing super pain in the ass and emulation not so great it simply shifted to other and better straightforward options. This is really good for an obvious tape sound. Like a time machine Now, there are all kinds of different types of distortion. The re-201 for sentence can add some lovely ambience to pretty much everything and is my go to echo type for ambient and shoegaze music. Neve, Api, SSL console saturation --> G comp & tape saturation --> bax eq & widening. As far as I understand monitoring a three-head cassette deck whilst it's recording live would introduce too much of a latency for instruments to remain playable live. The Cmoy circuit is a good example of that, you're looking at R1+ and R1-. I often use Kramer Master Tape by Waves. They actually design them in line with the hardware so there is a good chance you're hitting it too hard. It’s literally what makes drums go from amateur sounding to normal sounding. Think outside the box! Seriously though, give this a shot. And yes, you will get more tape saturation or more noise or both with 7. The unofficial subreddit of all things Ableton: Live, Push, Max, and Note. UAD Tape saturation pluginssafe to use on most tracks in a session? I felt my mixes were a little sterile/digital sounding, especially the vocals, so I tried running almost everything except guitars through the Studer 800 plugin. If I could only have 1 unit it'd be the Silver Bullet but I really love this combo. i think its mainly compressors today that rule Airwindows for their various tape and weird offerings, the saturation built into Sly-Fi Axis, UAD 1176 Blue All Buttons Out. Oh yeah, if you're trying to emulate endless bouncing on a 4-track cassette then definitely use a tape sim on EVERY track. Part of the whole "saturation" debate is where it happened in the analog world. Some years ago, I used the Steinberg Magneto plugin to achieve this on vocals. But if youre looking for tape saturation specifically then id say one of these two are good options. It happens when you send loud signal to tape, tape has a soft limit on volume unlike the digital brick wall. Hello. I had it set to tape delay, and by accessing the secondary functions you have a lot of control over the character of the delay. head down to your local goodwill and buy a tape recorder and a mp3 to cassette thing for your car, throw your samples onto an mp3 player, play them through the cassette player, and record the audio into audacity or something. If we think how recording on tape works, most ”realistic” would be to add tape saturation to each track with same flux and speed settings and wow and flutter to master. Yeah tape saturation is really bunch of other kinds of saturation plus the the saturation from the actual tape itself. elawxmdndyzolkqbfhoahdcuhpjourttjpexqywmodxrlklurqnq